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Appears in: Halloween (1978), Halloween II (1981) (mentioned only), Halloween: Resurrection (mentioned only), Halloween (2007), Halloween (2018), Halloween Kills Janet Marshall works as a nurse in Haddonfield Memorial Hospital. She dies when Michael Myers unknowingly creeps up from behind her and inserts a syringe into her right temple killing her. Maçek, J. C. III (March 6, 2015). "Great Movies With Terrible Sequels: Sequels so Bad They're Scary". PopMatters. Archived from the original on September 29, 2016 . Retrieved November 15, 2019.
Despite being institutionalized since the age of 6, Michael knows how to drive and operate vehicles. Dr. Loomis theorizes that he learned these skills from another inmate during the fifteen years was incarcerated. Michael's full set of weapons consists of: kitchen knife, hammer, mowing scythe, cords/rope, and various other objects/items. In the first two Halloween films, Michael's iconic white mask was in reality a Captain Kirk mask, repainted and with its features removed. The mask itself was derived from a cast of William Shatner's face done for the 1975 horror film The Devil's Rain. Michael was one of several horror icons to be included in the 2009 version of Universal Studios Hollywood's Halloween Horror Nights event, as a part of a maze entitled Halloween: The Life and Crimes of Michael Myers.Mike Gonland is the obnoxious boyfriend of Tina Williams and likes to act as a tough guy. He is killed by Michael Myers, when Michael impaled him with a sharp rake to the head. Hill told Fangoria that the film was supposed to be "a 'pod' movie, not a 'knife' movie." [8] As such, Wallace drew inspiration from another pod film: Don Siegel's Invasion of the Body Snatchers (1956). [23] The fictional town of Santa Mira was originally the setting of Invasion of the Body Snatchers and named as such in Halloween III as an homage to Siegel's film. [10] Aspects of the plot proved very similar as well, such as the "snatching" bodies and replacing them with androids. [24] Halloween III's subtitle comes from George A. Romero's second film Season of the Witch (1973)—also known as Hungry Wives—but the plot contains no similarity to Romero's story of a housewife who becomes involved in witchcraft. [25] Casting [ edit ] Halloween III Season of the Witch (15)". British Board of Film Classification. January 14, 1983. Archived from the original on September 12, 2013 . Retrieved October 30, 2016. His dreams were filled with images of actual events that took place several centuries ago at the dawn of the Celtic age. He dreamed of a disfigured fifteen-year-old boy named Enda who, after being rejected by his true love Deirdre, brutally murdered her during the feast of Samhain, on what would later be called Halloween night. These visions would have a greater impact on Michael later on in his life. [3]
Nicholas Rogers, Halloween: From Pagan Ritual to Party Night (Oxford: Oxford University Press, 2002), p. 111, ISBN 0195168968. Hill told Fangoria that the film was supposed to be "a 'pod' movie, not a 'knife' movie." As such, Wallace drew inspiration from another pod film: Don Siegel's Invasion of the Body Snatchers (1956). Santa Mira was the fictional setting of Invasion of the Body Snatchers, and the name was adopted for Halloween III as an homage to Siegel's film. Aspects of the plot proved very similar as well, such as the "snatching" bodies and replacing them with androids, and the pessimistic conclusion at the film's end. Halloween III's subtitle comes from George A. Romero's third film, Season of the Witch (1973) — also known as Hungry Wives — but the plot contains no similarities to Romero's story of a housewife who becomes involved in witchcraft.
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Halloween III: Season of the Witch (1982)". Rotten Tomatoes. Archived from the original on January 27, 2023 . Retrieved May 15, 2023. Stealth Mastery: Michael is shown to be adept at stealth as he was capable of keeping himself hidden without anyone spotting him.
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